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Gropius’ two-seater F51-2 sofa and the F51-3 three-seater version evolved organically out of the F51 cube armchair in the director’s room of the Weimar Bauhaus. The floating cushions catch the eye alternately, as does the signature cantilever design which encompasses the upholstery – one could almost say, permeates it.
The F51-2 and F51-3 sofas have close ties with Tecta. Erich Brendel corresponded with the company and was able to confirm that the F51 armchair already stood in the director’s room in the spring of 1920, but not the sofa.
The Bauhaus Archive in Berlin only approves true-to-work and licensed reeditions of the original Bauhaus models. These are marked with Oskar Schlemmer’s signet, which he designed for the Weimar State Bauhaus in 1922. Even today, Tecta's Bauhaus models are based exactly on the proportions of the originals.