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In reverence of great brutalist monuments, the Vector reveals slight openings on architectural planes as it plays with voids and volumes. A single rectilinear section can be affixed to the wall in a vertical or horizontal configuration, exposing its honest, reductionist form.
Cut from precise paths, several panels are fitted together to create a slender rectilinear section known as the Vector, which directs light to wash down its inner sloped surfaces, proffering a gradient effect. In reverence of great brutalist monuments, the luminaire reveals slight openings on architectural planes as it plays with voids and volumes. Showing a simple and understandable form, it also emphasizes bold and strong materiality as it is conveyed in either corten, black steel or polished stainless steel. Its raw finish bares its honest and natural state.
